Underground Film Bookshelf
Underground Resources: Index
Below is a list of books written about the history of underground film. Titles are linked to their Amazon page if you wish to purchase a copy, but please note that many of these books are out of print — and so noted — and are only available from used book dealers. Bibliography formatting courtesy of EasyBib. This list is currently still a work-in-progress and many more books will be added.
Blaetz, Robin. Women’s Experimental Cinema: Critical Frameworks. Durham: Duke UP, 2007.
Brakhage, Stan, and Bruce R. McPherson. Essential Brakhage: Selected Writings on Filmmaking. Kingston, N.Y.: Documentext, 2001.
Brakhage, Stan. Film at Wit’s End: Eight Avant-garde Filmmakers. Kingston, N.Y.: Documentext, 1989.
Brakhage, Stan. Metaphors on Vision. S.l.: S.n., 1976.
Curtis, David. Experimental Cinema. New York: Dell Pub., 1978.
(Originally published: New York: Universe, 1971.)
Deren, Maya, and Bruce R. McPherson. Essential Deren: Collected Writings on Film. Kingston, N.Y.: Documentext, 2005.
Dixon, Wheeler Winston, and Gwendolyn Audrey. Foster. Experimental Cinema: the Film Reader. London: Routledge, 2002.
Dixon, Wheeler W. The Exploding Eye: a Re-visionary History of 1960s American Experimental Cinema. Albany: State University of New York, 1997.
Frampton, Hollis. On the Camera Arts and Consecutive Matters: the Writings of Hollis Frampton. Cambridge, Mass.: MIT, 2009.
Hall, Phil. The Encyclopedia of Underground Movies: Films from the Fringes of Cinema. Studio City: M. Wiese Productions, 2004.
Hoberman, J., and Jonathan Rosenbaum. Midnight Movies. New York: Da Capo, 1991.
(Originally published: New York: Harper & Row, 1983.)
Horak, Jan-Christopher. Lovers of Cinema: the First American Film Avant-garde, 1919-1945. Madison, Wis.: University of Wisconsin, 1995.
James, David E. The Most Typical Avant-garde: History and Geography of Minor Cinemas in Los Angeles. Berkeley: University of California, 2005.
James, David E. Stan Brakhage: Filmmaker. Philadelphia: Temple UP, 2005.
James, David E. To Free the Cinema: Jonas Mekas & the New York Underground. Princeton, N.J.: Princeton UP, 1992.
Landis, Bill. Anger: the Unauthorized Biography of Kenneth Anger. New York: Harper Collins, 1995. (out of print)
MacDonald, Scott. Avant-Garde Film: Motion Studies. New York, N.Y.: Cambridge UP, 1992.
MacDonald, Scott. Canyon Cinema: the Life and Times of an Independent Film Distributor. Berkeley: University of California, 2008.
MacDonald, Scott. Cinema 16: Documents Toward a History of the Film Society. Philadelphia, PA: Temple UP, 2002.
(Originally published Athens, OH: Ohio University School of Film, 1997.)
MacDonald, Scott. The Garden in the Machine: a Field Guide to Independent Films about Place. Berkeley: University of California, 2001.
MacDonald, Scott. Screen Writings: Scripts and Texts by Independent Filmmakers. Berkeley: University of California, 1995.
Mekas, Jonas. Movie Journal; the Rise of the New American Cinema, 1959-1971. New York: Collier, 1972. (out of print)
Patterson, Clayton. Captured: a Film/video History of the Lower East Side. New York: Seven Stories, 2005.
Reekie, Duncan. Subversion: the Definitive History of Underground Cinema. London: Wallflower, 2007.
Rees, A. L. A History of Experimental Film and Video. London: BFI, 1999.
Renan, Sheldon. An Introduction to the American Underground Film. New York: Dutton, 1967. (out of print)
Russett, Robert, and Cecile Starr. Experimental Animation: Origins of a New Art. New York, NY: Da Capo, 1988.
(Originally published: Da Capo, 1976.)
Sargeant, Jack. Deathtripping: the Extreme Underground. Brooklyn: Soft Skull, 2008.
(Originally published: London: Creation, 1995.)
Sargeant, Jack. Naked Lens Beat Cinema. Berkeley, CA: Soft Skull, 2008.
(Originally published: London: Creation, 2001.)
Sitney, P. Adams. The Avant-garde Film: a Reader of Theory and Criticism. New York: New York UP, 1978.
Sitney, P. Adams. The Essential Cinema. Essays on Films in the Collection of Anthology Film Archives. New York: Anthology Film Archives, 1975.
Sitney, P. Adams. Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson. Oxford: Oxford UP, 2008.
Sitney, P. Adams. Film Culture Reader. New York, NY: Cooper Square, 2000.
(Originally published: New York: Praeger, 1970.)
Sitney, P. Adams.
Small, Edward S. Direct Theory. Carbondale: Southern Illinois UP, 1994.
Suárez, Juan Antonio. Bike Boys, Drag Queens & Superstars: Avant-garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema. Bloomington: Indiana UP, 1996.
Tyler, Parker. Underground Film: a Critical History. New York: Da Capo, 1995.
(Originally published: New York: Grove, 1970.)
Vogel, Amos. Film as a Subversive Art. London: CT Editions, 2005.
Waters, John. Shock Value: a Tasteful Book About Bad Taste. Philadelphia: Running, 2005.
(Originally published: Dell Pub. Co., 1981)
Waters, John. Trash Trio: Three Screenplays. New York: Thunder’s Mouth, 1996.
(Originally published: Random House, 1988)
Underground Resources: Index