1963 was a pivotal year in the history of avant-garde film in the United States. In Visionary Film, P. Adams Sitney calls it “the high point of the mythopoeic development within the American avant-garde.” He explains: [Stan] Brakhage had finished and was exhibiting the first two sections of Dog Star Man by then; Jack Smith
In 1966, as the underground film wave was sweeping the country, a Boston off-shoot of New York City’s Film-Makers’ Cinematheque opened at a performance space at 53 Berkeley Street. Underground films were shown on weeknights, while on the weekends the space transformed into a music venue called The Boston Tea Party. The Cinematheque and the
The National Film Preservation Foundation and The Film Foundation have awarded their annual Avant-Garde Masters Grants for 2012, which will save films by Mike Kuchar, Ian Hugo, Jud Yalkut and more.
Here’s the list of all 330 films included in the Anthology Film Archives’ Essential Cinema repertory collection that was founded in 1970.
Here’s a list of filmmakers that author Sheldon Renan wrote bios for in his seminal ’67 book An Introduction to the American Underground Film.
Jan. 16: Anthology Film Archives is screening the dream-like Vampyr, the 1931 trance film by Danish director Carl Theodore Dreyer.
Oct. 25: For the first time ever, Robert Beavers will be in Los Angeles to screen several of his short films produced between 1980 and 2007.
Legendary underground film distribution group the Film-Makers’ Cooperative is about to be evicted from its home in the Clocktower Gallery in NYC.
Here are some fantastic underground film posters made in England in the ’70s, with posters promoting the work of Andy Warhol, Kurt Kren, Stan Brakhage and more.
Visionary Film by P. Adams Sitney is still a must-read history of underground film even though it basically says that history petered out in the early 70s.