Underground Film Journal

Gregory Markopoulos

Articles:

Film-Makers’ Cooperative: The First Films
In a letter dated June 1, 1962, the newly formed Film-Makers’ Cooperative offered their first list of films that were available to rent. Fourteen filmmakers were represented. The need to form a cooperative distribution center for what were then called “independent filmmakers” was made in a series of meetings in the autumn of 1960. The
EXPRMNTL 3: 1963 Recap
1963 was a pivotal year in the history of avant-garde film in the United States. In Visionary Film, P. Adams Sitney calls it “the high point of the mythopoeic development within the American avant-garde.” He explains: [Stan] Brakhage had finished and was exhibiting the first two sections of Dog Star Man by then; Jack Smith
Boston Film-Makers’ Cinematheque 1966-67: The Posters
In 1966, as the underground film wave was sweeping the country, a Boston off-shoot of New York City’s Film-Makers’ Cinematheque opened at a performance space at 53 Berkeley Street. Underground films were shown on weeknights, while on the weekends the space transformed into a music venue called The Boston Tea Party. The Cinematheque and the