Underground Film Journal

Underground Notes

Articles:

Experimental Film Coalition: The Monthly Screenings
This is Part Two in a series about Chicago’s Experimental Film Coalition; and covers their screening series. Formed in 1983, the Experimental Film Coalition started holding regular monthly screenings starting in 1984. The screenings brought to Chicago the work of independent, experimental filmmakers across the country, as well as screening local work.
Experimental Film Coalition: The Founding
This is Part One in a series about Chicago’s Experimental Film Coalition; and covers the organization’s inception. In 1983, a group in Chicago, Illinois formed the Experimental Film Coalition to promote and provide support nationally for independent, avant-garde, experimental and underground filmmakers. In their hometown, the Coalition hosted monthly screenings, founded a long running film
A Look Back: The American New Wave 1958-1967
In 1983, the Walker Art Center in Minneapolis, Minnesota, along with Media Study/Buffalo, created a touring retrospective of avant-garde films, primarily feature-length ones and a few shorts, which they called “The American New Wave 1958-1967.” To accompany the tour, a hefty catalog was produced that included notes on the films, essays by film historians and
EXPRMNTL 3: 1963 Recap
1963 was a pivotal year in the history of avant-garde film in the United States. In Visionary Film, P. Adams Sitney calls it “the high point of the mythopoeic development within the American avant-garde.” He explains: [Stan] Brakhage had finished and was exhibiting the first two sections of Dog Star Man by then; Jack Smith
Boston Film-Makers’ Cinematheque 1966-67: The Posters
In 1966, as the underground film wave was sweeping the country, a Boston off-shoot of New York City’s Film-Makers’ Cinematheque opened at a performance space at 53 Berkeley Street. Underground films were shown on weeknights, while on the weekends the space transformed into a music venue called The Boston Tea Party. The Cinematheque and the
Underground Film Screening: Austin, September 23, 1966
From the Austin Daily Texan, September 22, 1966 Film-Makers’ Co-Op Shows ‘The Wild One’ The Gulf Coast Film-Makers’ Co-Op, an off campus student organization, will inaugurate its Film Factory at 8 p.m., Friday. Founded to encourage student film-making, Film-Makers’ Co-Op is a result of interest among university students for a place to show and make
Film Man’s Obscenity Conviction Reversed
From the Los Angeles Times, February 28, 1959: Conviction of Raymond Rohauer, 34, on the misdemeanor charge of exhibiting “obscene, indecent and immoral” motion pictures was reversed yesterday by the Appellate Department of Superior Court. Rohauer was arrested Oct. 11, 1957, at a theater he was operating, 366 N La Cienga Blvd., following the showing
Scorpio Rising: The 1964 Los Angeles Obscenity Trial
In the Spring of 1964, Los Angeles theater manager Michael A. Getz was arrested and placed on trial for screening Kenneth Anger‘s Scorpio Rising. Below are several articles the Underground Film Journal has found that follow the progression of the case. From the Los Angeles Times, March 3, 1964: Festival Entry Scheduled for Cinema’s Screen