Underground Cinema 12 was a midnight movie screening series of underground films that ran in theaters owned by Louis Sher, who founded “the nation’s largest circuit of art houses” in 1954. While Sher was the head of the Art Theatre Guild, Underground Cinema 12 was run by his nephew Mike Getz. The series began at […]

A genuine underground mystery has appeared! The above movie ad appeared in the January 1, 1966 San Francisco Examiner; and was posted on Twitter by Evan. It announces the “World Premiere” of the film Cycle Queen, which is billed as a satire on Kenneth Anger’s classic film Scorpio Rising (1963). No filmmaker is listed in the ad.

In 1962, Kenneth Anger moved to Brooklyn, New York and began living with married filmmakers Willard Maas and Marie Menken. Once in Brooklyn, however, Anger became acquainted with a local motorcycle gang and shot footage that would eventually become his most celebrated work.

Continuing into 1999 at the Collective Unconscious theater space in NYC, the RBMC — co-programmed by Brian L. Frye and Bradley Eros — went on hiatus for the first week of the year, but resumed on January 12. Below is a list of screenings from then until a May 18 event that celebrated the RBMC’s first full year of existence.

After years of planning, the Anthology Film Archives first opened its doors in New York City towards the end of 1970. That opening came with great interest and fascination of how the world’s first “museum of film” was going to operate like no other theater before it.

According to the modern day Magic Lantern Society, Danish mathematician Thomas Rasmussen Walgensten was the first person to use the term “Laterna Magica” in the mid-1600s to describe his image projection device.

Brian L. Frye programmed the first screening on May 12, 1998 at the Collective Unconscious theater space. The screening included the feature-length documentary Underground by Emile de Antonio about the left-wing militant group the Weather Underground

This is Part Two in a series about Chicago’s Experimental Film Coalition; and covers their screening series. Formed in 1983, the Experimental Film Coalition started holding regular monthly screenings starting in 1984. The screenings brought to Chicago the work of independent, experimental filmmakers across the country, as well as screening local work.

1963 was a pivotal year in the history of avant-garde film in the United States. In Visionary Film, P. Adams Sitney calls it “the high point of the mythopoeic development within the American avant-garde.”

In 1966, as the underground film wave was sweeping the country, a Boston off-shoot of New York City’s Film-Makers’ Cinematheque opened at a performance space at 53 Berkeley Street. Underground films were shown on weeknights, while on the weekends the space transformed into a music venue called The Boston Tea Party.