Breathdeath by Stan Vanderbeek (1963). At the EXPRMNTL 3 film competition at Knokke-le-Zoute, Belgium in 1963, Breathdeath tied for 2nd place with Gregory Markopoulos’s Twice a Man.
Watch great videos collected from all over the Internet, including movie trailers, short films, interviews, film festival trailers and other random stuff related to underground cinema.
Andy Warhol by Marie Menken. Competed 1965. Marie Menken made several films inspired by and starring artists she knew, such as Visual Variations on Noguchi (1945) and Arabesque for Kenneth Anger (1961).
Jammin’ the Blues by Gjon Mili. Completed in 1944. Gjon Mili is primarily known for his work as a photographer, particularly his portraits and experimental use of strobe lighting, much of which appeared in Life magazine.
Slippery Jim by Ferdinand Zecca. The completion/release year of Slippery Jim varies among sources. The catalog for the 1947 Art in Cinema program dates the film as circa 1906. However, Richard Abel, a silent movie historian, gives two dates for the film.
Quixote by Bruce Baillie. Finished most likely in 1965, but sources place year range 1964-1967. In Visionary Film, P. Adams Sitney says the film was “revised” in 1967; while in his “Movie Journal” column, Jonas Mekas wrote that the “final version” of Quixote was screened in New York City in 1968.
Sunday by Dan Drasin. Shot and completed in 1961. According to the filmmaker, the film was shot entirely in 16mm B&W on April 9, 1961, capturing a protest made by folk singers in New York City’s Washington Square Park that was challenged by police officers.
Scorpio Rising opens with a title card of Anger’s production company. It reads “Puck Film Productions”, along with the tagline “What fools these Mortals be!”
Thanatopsis by Ed Emshwiller. Made 1960-62, according to Sheldon Renan’s An Introduction to the American Underground Film.
Video memories and nostalgia blur together in Jennifer Reeder’s classic installation piece, Lullaby, in which personal footage of ’80s cheerleading tryouts and ballet classes is set to a heavily slowed down and distorted version of Madonna’s early hit, Lucky Star.
Let’s talk about the weather. Or, at least observe it. Two climate scientists go about their daily routines throughout the seasons in The Observers, a meditative rumination on observational study directed by Jacqueline Goss.